Golden Glow
Oil on board | 7 x 5 inches “I painted this on a very hazy September evening from one of my favourite spots near Boscastle.”
Oil on board | 7 x 5 inches “I painted this on a very hazy September evening from one of my favourite spots near Boscastle.”
Oil on board | 5 x 7 inches “I painted this from life on a misty October morning. It was very early in the shooting season so the pheasants were unaccustomed to ducking down and hiding!” Kieron
Oil on board | 5 x 7 inches “This painting is of the Snow Moon way back in February. I painted this from a frosty hillock by Delphi Bridge as the sun rose behind me. I liked the colour of the first piece of landscape catching the morning light and the frost lying in the
Snow Moon over Kerrow Downs Read More »
Oil on board | 5 x 7 inches “I was hoping for a bit more sunlight while painting this, but actually the dark foreground and sky made for a really moody piece. The highland cow leads your eye to the sunlit Rough Tor in the distance.”
Oil on board | 5 x 7inches “I really enjoy painting this type of sunset, where the atmosphere is hazy and you can comfortably look at the sun setting. This painting is also a homage to British artist George Clausen RA (1882-1944) who’s famous painting “Sunset” captured the sun’s colour perfectly. I have that painting
Into a Bed of Blue Read More »
Oil on board | 6 x 9inches ”I love the hawthorn and gorse lined meadows in Cornwall, I painted this at the gate to the meadow, to the sound of bees on blossom and a cuckoo, which seemed to follow me wherever I painted!”
In a Cornish Meadow Read More »
Oil on board | 6 x 9inches “The blossom on the moors this year was stunning. The beautiful evening light only added to the beauty of this subject. The bright, forget-me-not coloured blue sky against the pinky-golden blossom was a joy to paint. The shadows on the grass were almost pure viridian green. It was
Forget-Me-Not Blue Skies Read More »
Oil on board | 6 x 9inches “The skies where absolutely amazing on this particular day. The subject reminded me of the cloud studies Munnings did throughout his career, but particularly his cloud studies on Exmoor. The twisted gorse bush and herd of Belted Galloway’s completed the painting.”
Belties on Newton Downs Read More »
Oil on panel| 8 x 8inches “It was a struggle to capture the warm evening light on the spring landscape. It was made harder by passing clouds that would throw the Hawthorn tree into shade then light up the mid ground. It is such struggles you can only experience while painting outside. It really makes
Oil on board | 7 x 7inches “I had in mind another subject I was going to paint but as I was setting my paints up, I glanced to my left and saw this lovely, Seago-esque light on the big barn. I just had to paint it. It was a lovely May day of warm