Oil on Board. 6×8 inches. On Location. ‘This was painted alongside David Curtis, it was a bright and sunny afternoon, the cow was added in the studio later to offer some life into the painting.’  

Oil on Board. 6×8 inches. On Location. ‘This is one of my favourite barn paintings.’

Oil on Board. 7×10 inches. On Location. ‘I painted this on a chilly morning, the day before Christmas Eve.’  

Watercolour. 6.25×9.75 inches. Studio Piece. ‘I like the silver light in this piece and the accents of red.’  

Oil on Board. 10×14 inches. Studio Piece. ‘This was just the most amazing light effect I had ever seen. It was a pleasure to paint.’

Oil on Board. 14×10 inches. Studio Piece. ‘I often complete pencil drawings on location too, when time or light is against me and then transfer those onto canvas when I get back to the studio.’

Oil on Board. 16×12 inches. Studio Piece. ‘The fisherman’s boat had been sunk by a wave earlier in the day. I photographed him as he returned with some help to bring his boat to shore. I take photographs all the time, although I paint en plain air as often as I can, you can’t always

Oil on Board. 16×12 inches. Studio Piece. ‘This farmer, Will Puncher, features in many of my paintings, this is one of my favourites, I loved capturing the string that tied his coat together and the torn sleeves, but none of that detracts from the detail on his face.’  

Watercolour. 13×20 inches. On Location. ‘Painted on location in early spring, mud is always a great subject for me! Getting the watercolour washes to dry on a cold spring day is a challenge, but necessary for building the layers up.’

Watercolour. 28×18.5 inches. Studio Piece. ‘The scale of my work this year has been prompted by the Newlyn School of Artists, who were not afraid of painting on large surfaces. Sometimes the subject matter has more impact if you can see it on a larger scale. This location, St Clements Island, Mousehole is a busy