work

Oil on board | 10 x 8 inches Although a studio painting the lively brushstrokes give it a feeling of a plein air piece, which is what I strive for in studio work. 

Oil on canvas | 8 x 16 inches It felt weird painting such an iconic London landmark not in its full glory, instead covered by scaffolding. But it was a chance to paint something that none of us will see again in our lifetime. The night sky had great crimson and cerulean tones in it

Oil on board | 8 x 12 inches Quite a simple subject was transformed by the November sunlight, that gave great sparkling highlights. 

Oil on canvas| 16 x 22 inches I put a thin wash of linseed oil over the canvas that moves the paint a bit better. It works especially well with seascapes to help achieve that fluidity. 

Oil on canvas | 14 x 22 inches The colours in this were lovely, the painting wouldn’t have worked if they were muted down.

Oil on board | 13 x 20 inches It was Dad who spotted this scene, whilst we were being shown around the stables by Colonel Harry Scott before seeing the changing of the guard, Dad nudged me and looked and I got a couple of photos of the lad moments before he was back to work. 

Oil on canvas | 24 x 18 inches I can’t remember ever being more inspired to paint than when I was working on this. I felt quite empty after finishing this, but also chuffed that it turned out well!  After we got back on Boxing Day I made several sketches, and studies of hounds and

Oil on board | 14 x 20 inches I’ve done a pastel of the same subject during one of my exhibitions and I finally tried it in oils. It’s worked well especially the over hanging tree and the dappled light.

Oil on board | 10 x 14 inches We stayed at Cargurra farm, just outside Boscastle a couple of years ago. It was a week of 30°c days. I was in my element, staying on a farm surrounded by cattle and barns. Collecting chicken eggs in the morning for breakfast, walking down dusty lanes into Boscastle,

Oil on canvas | 16 x 20 inches I worked from quite a nice, lively 8″x10″ study that I scaled up for this piece.  I love the reflected light in the coat of the front white cow, then the contrast of the rust colours in the other cow. The landscape behind shows Thurne mill and